A 2001 assignment from Cycle World magazine to explore America led Keith May down a rabbit hole of dirt roads and lost highways East to West on a roaring silver Harley. “Go where the wind blows you and let pictures tell the story,” became more than an Editor’s vague but prescient direction and the quietly provocative scenes included in a folder labeled as “The Accidental Beauty of Rural America,” prove that the more things change, the more they stay the same. And the best assignments never end.